Freaky Dancin': Me and the Mondays

by Bez. Pan Books, 1998c., 335 pages. ISBN 978-0-330-48197-7

A story of a young man who spends his days in constant pursuit of drugs could turn out to be a sad and cautionary tale. This book by Bez, about his young adult years and his (in)famous time as the maraca-shaking/”freak dancin’” member of the Manchester band Happy Mondays, turns out to be a very funny and honest memoir. Though much of Bez’s antics are self-destructive, it is also obvious that he quite enjoyed himself. He is unapologetic but he seems to hide nothing. Freaky Dancin’ is a must for those readers interested in the Happy Mondays and notorious nightlife scene of Manchester in the late 80s and early 90s.

Butterfly

by Sonya Hartnett. Candlewick, c. 2010. 240 pages. ISBN 978-0763647605.

From LibraryThing’s Early Reviewers

Plum is awkward and uncomfortable in her body as she is poised unsteadily between being a child and becoming a woman. Her place in the hierarchy of her friends is precarious and her loneliness apparent to her housewife neighbor, Maureen. Convincing Plum to reinvent herself, Maureen becomes a friend and confidante but with motives Plum cannot readily see.

In the UK this book has been marketed as Hartnett’s first adult novel while in the US, it has been labeled young adult. While some LibraryThing Early Reviewers do not seem to agree that this is a YA book, I feel it is a shame they do not give teens more credit in their reading tastes, capabilities and experiences. Butterfly may be enjoyed by teen readers as well as adults--especially those women who can still remember those sharp pains of fear and loneliness during adolescence. Hartnett’s lyrical style of writing is clever at times but also often distracting. I am disappointed in the US choice in covers as it seems to be an unimaginative choice along with the title. For a writer whose prose is almost poetical, "Butterfly" is a bit of a letdown as title.

the burn journals

Runyon, Brent. The Burn Journals. Reprint. Originally published: New York : Alfred A. Knopf, 2004. With new afterword. New York: Vintage Books, 2005. 327 p. ISBN 1400096421 (pbk.) $12.95

(The following review was submitted as an assignment for the MLIS course Health Consumer Resources and Services for the Spring 2010 semester.)

At fourteen, Runyon put on his bathrobe, doused it with gasoline, stepped into the tub and lit himself on fire. He suffered third-degree burns over 85 percent of his body. He endured months of excruciating skin grafts and physical therapy. The Burn Journals spans Runyon's first year of recovery from this horrifying suicide attempt as he struggles with the pain, the guilt and the questions from himself and others as to why he did it.

This book does not contain any solutions or answers to suicide, depression or self-hatred. Runyon can never answer why he tried to kill himself. He doesn't really know. Runyon wrote his book ten years after he set himself on fire, but he writes it in the first person as his fourteen-year-old self. This makes the book so valuable for teens, especially males, who may run the spectrum of sadness to thoughts or plans of suicide. Here, in Runyon's words, they may find hope that they are not completely alone under the desolate weight of depression.

This book should be included in the teen departments of school and public libraries and will be useful for anyone working with teens; however, this may not be a book for readers who have suffered accidental traumatic experiences and burn victims may struggle to identify with someone who purposely caused such pain.

City Boy: My Life in New York During the 1960s-'70s

by Edmund White. New York: Bloomsbury, USA, c. 2009, 297 pages.

(from my LibraryThing's Early Reviewers)

White's memoir begins when he he arrives in New York City from the Midwest where he followed his lover instead of going on to Harvard. He is is not a writer yet and these two decades are a formative time in his literary career.

As a gay man, White was still hoping to be "cured" as he regularly (like many other gay men at the time) saw a therapist. In 1969, as the gay movement began with Stonewall, White began to embrace his own identity--and he had little choice when, in 1977, he famously co-authored "The Joy of Gay Sex."

The reader is invited to hear White's tales of the famous artists and literary figures he surrounded himself with and his many lovers and experiences before and in the early days of AIDS. This book is gossip and at the same time revelation. This is a social history of New York at that time told by an insider.

The Road to Damascus - A Brief Review

from Early Reviewers for LibraryThing

Road to Damascus by Elaine Rippey Imady

This is a pleasant memoir about a Western woman’s life married to a Syrian man and living in the Middle East. I appreciated the mainly positive accounts and stories about life in Syria and the personal histories the author presents for the reader. Favorable depictions of Middle Easterners and Muslims are few in popular literature; however, I found little in Imady’s writing to hold or grip me to her story. There is a genuine love and caring in her story but I simply could not care very much. I feel that if she had written some of this book earlier in her life and closer to when some of the events had happened there would have more life and passion to her writing.

The Disreputable History of Frankie Landau-Banks

The Disreputable History of Frankie-Landau-Banks by E. Lockhart (2008), 342 pages, 2008 National Book Award Finalist

my review:

Elite boarding schools often provide a popular backdrop for young adult novels. They also provide the young adult novelist numerous opportunities to create situations where parental involvement and adult supervision is lacking; money and resources may abound for the characters. Many times, these characters live in a world that most young readers have never experienced--that of a life of privilege and status. All of these elements are a part of The Disreputable History of Frankie Landau-Banks but the title character of Frankie is such an odd (in a smarty, funny way) girl that she is more realistic and relatable for many readers than the usual prep or boarding school characters.

Frankie becomes obsessed with her plans to infiltrate and be a part of the all male secret society (the Loyal Order of the Basset Hounds) at Alabaster Prep. At the same time, she is experiencing her first love and a relationship where she struggles to not lose her own identity. More than just a pretty girl, Frankie fights for her place in the academic institution and in the world where the “Old Boys Club” rules.

The Disreputable History… is filled with clever wordplay and even more boarding school and college pranks, ideas of interventionist art, subverting the institutions of power and notions of gender roles and breaking the rules (whether written or just understood). Written in the third person, the narration is a welcome change from the usual first person narratives of many young adult novels. This is a coming of age book that defies many of the conventions of this genre.

2009 Michael L. Printz Honor Book

Little Brother

Little Brother by Cory Doctorow (2008), 384 pages
a book review also available on my LibraryThing profile

From technology activist, Creative Commons proponent and self-proclaimed geeky guy Cory Doctorow is Little Brother. This is a realistic sci-fi novel for young adults that is packed with action, techno-speak and a scary but optimistic look at a possible near future for American citizens.

Marcus Yallow, our narrator, and his friends are able to sneak out of school by tricking the gait-recognition system and other surveillance tools the schools and city officials have implemented-- including a frighteningly invasive public that uses their phones and the Internet to snitch on possible truant students.

Skipping school to participate in an ARG (alternate reality game), they are caught at the site of a terrorist attack in San Francisco. Marcus and his friends are held by the Department of Homeland Security (DHS) at a secret prison. They are interrogated, terrified and treated like they are guilty. After this attack, paranoia, surveillance and distrust are amplified. California has become a police state. Marcus finds himself making choices that may endanger him, his friends and other citizens in his pursuit to take back the civil liberties and freedoms promised by the U.S. Constitution that the DHS has taken away.

This is a dystopian future, but not a future too far from now. It is easy to believe that all of these surveillance technologies are available today to those in power--and maybe they already are. Many of us- as Marcus points out- are guilty of not understanding the technologies all around us. We do not have them working for us.

At first I questioned how realistic this narrator is. Would a 17 year old boy be this advanced in computers, computer code writing and programming? And then I realized how old I am and more importantly, how dated my own experience with technology must be. Marcus is not so far-fetched. There are so many teens and young adults with these capabilities, experience and drive to tweak and hack and crack so many of the tools used on us and by us every day.

This book will be great for high school age and young adult readers and technology-literate and illiterate adults will enjoy it also. The book is jammed full of interesting ideas, questions and history. It could be very useful for discussions about privacy, terrorism and technology and surveillance and the role of a citizen in our democratic society.

Tattoo Machine

The following is a review for LibraryThing Early Reviewers. You can see more of my reviews by clicking on "my library" to the right. Tattoo Machine: Tall Tales, True Stories, and My Life in Ink by Jeff Johnson is nonfiction and should be available July 2009.

I have a feeling that there will be numerous uninspired blurbs about the book Tattoo Machine hailing it as the tattoo industry’s Kitchen Confidential. I wouldn’t go so far. Jeff Johnson does invite his readers into some of the seedier and funnier stories about his life as a tattoo artist and offers up some second hand stories that may cause you to laugh and/or cringe. Johnson has a clever and visual way with words and the book is a quick, enjoyable read. I appreciated getting a glimpse of who he was as a child and young man and how this has lead to who he is now. He is successful nowadays and drives a BMW--which he chose to point out. But his writing is somewhat disjointed and near the end of this read, I was left wanting a little more depth to his stories and a little less of what came off as slick and “cool” business owner-speak.

I had some high hopes for this book. I have spent some time in a few tattoo shops as someone who dates a tattoo artist. So I am nowhere near an expert on this “industry” but I have seen and heard a bit. My opinions may be colored by my relationship and interactions with other tattoo artists and customers. One thing I can’t help but mention is the use of illustrations to introduce parts of the book. They are some on the poorest and amateur drawings and I was surprised that someone like Johnson, who does appear to be a good artist, would allow them into his own book. Overall, I would recommend "Tattoo Machine" to someone who likes a fun memoir but I don’t think I can wholeheartedly recommend it to the tattoo artists I know.